Tag: Netflix
Making A Murder Pt 2: The Truth Gets A Second Look
Making a Murderer Part 2 trailer: The truth gets a second look
Netflix has released the official trailer for Making a Murderer: Part 2, continuing the story of Steven Avery and his nephew Brendan Dassey. Check out the trailer now in the player below, as well as the official key art in the gallery!
Emmy Award-winning filmmakers Laura Ricciardi and Moira Demos return to the Midwest where they have exclusive access to Steven Avery and his co-defendant and nephew Brendan Dassey, their families and the legal teams fighting for justice on their behalf. Over the course of 10 new episodes, Making a Murderer Part 2 provides an in-depth look at the high-stakes postconviction process, exploring the emotional toll the process takes on all involved.
RELATED: Netflix Reveals Making a Murderer Part 2 Launch Date
Part 2 introduces viewers to Kathleen Zellner, Avery’s hard-charging postconviction lawyer, in her fight to prove that Avery was wrongly convicted and win his freedom. Ricciardi and Demos follow Zellner, who has righted more wrongful convictions than any private attorney in America, as she tirelessly works the case and uncovers unexpected evidence about what may have happened to Teresa Halbach and about how and why the jury convicted Steven of her murder.
Ricciardi and Demos also follow Dassey’s post-conviction lawyers, Laura Nirider and Steven Drizin with Northwestern University’s Center on Wrongful Convictions of Youth, as they fight in federal court to prove their client’s confession was involuntary, a fight that could take Brendan’s case all the way to the U.S. Supreme Court.
Making a Murderer Part 2 is a Synthesis Films Production. Laura Ricciardi and Moira Demos serve as executive producers, writers, and directors.
Part 2 will launch on Netflix on October 19.
Article via ComingSoon.Net
Netflix Will Let Viewers Determine Endings Of Some Shows: Report
In an effort to find yet another way to make its service sticky, Netflix is planning to roll out interactive features on shows including Black Mirror that will enable viewers to choose their own endings, according to a report by Bloomberg.
Citing unnamed sources, the report said projects will be released before the end of the year that follow the model of some kids shows already on Netflix, such as Puss in Book. The technology follows the pattern of videogames, and Netflix has videogame-based shows in the works, including a take on Minecraft due by the end of 2018.
HBO has already dipped a toe into interactive waters this year with Mosaic. The six-part Steven Soderbergh-directed mystery thriller aired on the linear network but was accompanied by an app featuring a range of different story threads that viewers could customize. Critics generally praised Soderbergh’s narrative architecture and the experience of the show.
Black Mirror is a prominent, Emmy-winning series for Netflix, whose themes lend themselves to high-tech experimentation. The fifth season of the Charlie Brooker-created show is expected to premiere in December.
In addition to Black Mirror, Netflix has closed a deal for one other live-action series and is in the final stages of other deals, according to Bloomberg.
While plenty of reality series have incorporated interactive elements for years now, the scripted realm faces hurdles to wider deployment of choose-your-own-ending storytelling. In addition to the technology requirements, it requires more extensive scripts and produced scenes. That can present budget and labor challenges for producers.
Article via Netflix Will Let Viewers Determine Endings Of Some Shows: Report
Rashida Jones Honors Her Father With Netflix Documentary ‘Quincy’
Jones co-directed and co-wrote the Netflix doc about her father Quincy Jones’ prolific career in music.
Quincy Jones has had one of the most legendary careers in the entertainment industry and on Friday night, his accomplishments were honored with the premiere of the documentary Quincy at the Pickford Center for Motion Picture Study, with Rashida Jones, Diane Warren and Ted Sarandos in attendance.
Jones rose from the slums of the South Side of Chicago to become one of the most successful and prolific composers and music producers of all time, working with such legendary talents as Ray Charles, Frank Sinatra and Michael Jackson, for whom he produced Thriller, the best selling album in the history of music.
Rashida spoke to THR about why this was the right time to make a film about her father.
“My dad’s story is also the story of black America. He was born in the 30s. He’s seen every decade since. He’s been relevant in every decade since so we’re dealing with a lot of race stuff in this country and it’s important to tell the stories of the past,” Rashida said. “It’s the only way we can learn. It’s the only way we can change and evolve and this is the great way to do it.”
The film brought out Quincy’s friends, family and several important people from his past, including the original band from the Thriller album. Warren and Sarandos were seen chatting excitedly with each other about the film in the lobby of the theater before the premiere.
Rashida co-directed the film with Alan Hicks, who told THR the most exciting things he learned about her father while doing research on him.
“I would learn something every day because Rashida and I would work in the archives and just pour over all the material and you’d find out a new thing every day. For example, I found out that he was in the room with Miles Davis when he recorded Kind Of Blue. And then you found out that he had the first music that was ever played on the moon and that he made all of these discoveries like Will Smith and Oprah Winfrey.”
The film covers every decade in Quincy’s life, documenting both his professional successes and his personal struggles and culminates in his production of a television special to celebrate the opening of the National Museum of African American and Culture in Washington D.C., which featured appearances by Barack and Michelle Obama, Winfrey and John Legend.
The conclusion of the film was greeted with a long and sustained standing ovation for both the film and for Jones who was in attendance.
After the movie, guests headed over to the ballroom at the Neuehouse in Hollywood, where they enjoyed beef sliders, mozzarella wrapped in prosciutto and chicken meatballs and were entertained with a musical performance by R&B singer Lalah Hathaway, who at one point was accompanied by Michael Jackson’s musical director Greg Phillanganes while she sang Jackson’s hit “Human Nature.”
“I am constantly in awe of how much he’s managed to cram into a lifetime,” Rashida noted. “He’s not done. He’s 85 and he’s not done.”
Article via: Rashida Jones Honors Her Father With Netflix Documentary ‘Quincy’
Check out Lovelyti’s video: Quincy Jones SPILLS ALL THE TEA on Richard Pryor, Marlon Brando, Michael Jackson & Ivanka Trump!!
Netflix’s Apostle trailer teases a bloody cult thriller from the director of The Raid
The year: 1905. The plight: Religious blood cults are kidnapping people. The solution: Dan Stevens, certified action hero.
In Apostle, a new film coming to Netflix in October, Stevens — best known for roles on Downton Abbey and Legion, but a proven skull-buster in the criminally underrated The Guest — teams up with The Raid director Gareth Evans for a unique twist on the religious psychodrama. The “twist” is somewhat literal: In the first trailer, we see cranks of a vise stretching out the spine, shackles wrapped around the wrists of prisoners, and a turn or two of a knife in the belly. Apostle promises a gruesome thriller that should scare and shock and further solidify the caliber of both actor and director.
Stevens plays Thomas Richardson, described in the film’s official synopsis as the “prodigal son,” who returns home to discover that his sister has been abducted by a religious sect living in solitude on a misty island. To retrieve her, Thomas travels to the remote location and embeds himself among the members, led by Prophet Malcolm (Michael Sheen). Thanks to bloodlust and the general evil of man, the rescue operation does … not go smoothly.
Written and directed by Evans, Apostle is “a harrowing occult fable where the only thing more horrifying than madness is the sinister reality behind it.” Fans of puritanical action-horror like Black Death, Solomon Kane, The Wicker Man or even Tom Hardy’s Taboo should immediately cue this one up.
Apostle hits Netflix on Oct. 12.
Article via: Netflix’s Apostle trailer teases a bloody cult thriller from the director of The Raid
What’s Coming and Going From Netflix the Week of September 17, 2018
I’m most excited this week about a weird limited series called Maniac from Cary Joji Fukunaga (Beasts of No Nation, True Detective, It). Emma Stone and Jonah Hill star as patients in a “mindbending pharmaceutical trial gone awry.” It looks like they hallucinate themselves into a lot of wacky situations, allowing for lots of different costumes, wigs and prosthetics, which is always a good time.
I’d be remiss if I didn’t at least point out that Tony Danza and Josh Groban star as a father-son duo in The Good Cop. Tony’s the “crooked but kindhearted dad,” Josh plays a “pathologically honest detective.” What hijinks could possibly ensue?
Arriving This Week
A * denotes a Netflix original. Links go to Netflix trailers and watch pages.
Monday, September 17
- The Witch
Tuesday, September 18
- American Horror Story: Cult
- D.L. Hughley: Contrarian*
Friday, September 21
- Battlefish*
- DRAGON PILOT: Hisone & Masotan*
- Hilda*
- Maniac: Limited Series*
- Nappily Ever After*
- Quincy*
- The Good Cop*
Sunday, September 23
- The Walking Dead: Season 8
Leaving This Week
Nothing’s leaving this week!
Article via: What’s Coming and Going From Netflix the Week of September 17, 2018
Netflix all about the Washington’s
Rev. Run from the hip hop group RUN-DMC Has a new comedy show on Netflix called all about the Washington’s. Run stars as a retired hip-hop star turned stay at home dad with his three children while his wife played by his real life wife Justine Simmons takes on my career of her own . Streaming now on Netflix!
https://www.facebook.com/netflixus/videos/247381365866583/
Netflix Friday Night documentary Taking Up Space
We also need to remember our HBCU’s. White people are already taking those over. I acknowledge we need more inclusion at these historical white colleges. But to forget and almost dismiss HBCU’s is also denying our black historic accomplishments.
https://www.facebook.com/netflixtakingupspace/videos/498736903881305/
Netflix N’ Chill Sunday Ken Burns PBS presents prohibition
Streaming now on Netflix Ken Burns PBS prohibition.
Mo’Nique’s Three Year Hobo Tour: Part 2- Netflix
Mo’Nique is an established actress and comedian. After the height of her acting career, with accolades from Precious and Bessie, we did not see much of her. About four years ago Mo’ came out to tell her story, starting with Empire.
In January of this year, Mo’ focused on her losses with Netflix. She alleged Netflix offered her $500,000, while Dave Chappelle and Kevin Hart received deals for $20 million and Amy Schumer received a $13 million deal. Mo’ threatened to sue Netflix for color and gender bias, and requested support in the form a boycott against Netflix.
A Jawn Murrray came out a week later and claimed that Mo’ was actually offered $3 million.
Early February Mo’s tour took a detour as she appeared on Khia And TS Madison’s show The Queens Court. Many pointed out how messy it was of Mo’ to keep livestreaming when TS was breaking down.
Later that same February, Mo’ continued her Netflix ‘inequality pay’ tour, appearing on the View. Most noticeably, Mo’ appeared on The Breakfast Club and chastised Charlemagne the God, after he gave her Donkey of the Day.
Late June, Mo’ released private phone conversations with Tyler Perry.
Late July, Mo’ came out in support of Roseanne Barr, after Barr’s racial tirade, claiming “My SISTER came on my BET show”. This was the incident that led many to end their support for Mo’nique.
Read part 1 here: Mo’Nique’s Three Year Hobo Tour: Part 1- Empire